Ponderings

When 'out and about' I often spend a substantial time pondering life's quirks, tragedies and gifts. Sometimes I feel part of general humanity with the same experiences occurring in my life as well as the lives of others. Occasionally I feel like a lone voice in the wilderness, prey to each and every vagary of Nature and circumstance. I've discovered that generally one can't make adequate preparations for any life event, as the reality is at the whimsy of the gods, particularly with respect to photographic opportunities. Some of my greatest disappointments have been experienced when expectations were high, and yet, some of my greatest joys have been realised through serendipitous occurrences. I think it is important to remain positive and give thanks for the joys rather than regret the disappointments.

Some questions I have pondered which fall under the exaggeration banner and have generally surfaced when on longer roadtrips:

1. Am I the only human in NSW who doesn't have access to a 4WD ? - I'm sick of having these riding on my bumper.

2. Are black Toyotas utility magnets ? - I can guarantee that as soon as I pull over to take a shot, even when the location is a thousand acre property with neither animal or human in sight, someone in a ute or tractor appears out of thin air and makes me feel like a voyeur.

3. Do butterflies only alight on foliage positioned in the airflow of passing semi trailers ?

4. Why do horses always walk towards you once your finger is about to press the shutter button ?

5. Does anybody else adhere to the speed limit ?

6. Why are most creek beds dry ?

7. Why are outback country roads as busy as Pitt St. in the city, only when it is impossible to pull over to the side of the road?

8. Why do people turn into their driveways  when I have pulled up to take a photograph ?

9. Why are hay bales always wrapped in ugly green plastic ?

10. Why is the sun always setting on the opposite side of the highway with no room to pull over ?

 And finally, for the moment at least, and this is expressed most uncharitably:
Why is it that when someone walks into the frame of a great shot I've just set up, is it someone who is most unphotogenic ?

The Moon Hunt

After many thwarted attempts I'm still going to endeavour to capture a full moon due in 6 days. I've been scouting for different locations which will provide some foreground interest. While Yena Gap is one of my favourite spots the shadows really overpower the foreground rocks at sunset while the rocks at Cape Solander seem to take on a ghostly hue and also provide some amazing formations. Solander is also more easily accessible in the failing light. Tonight I took some preparatory shots and although the high ISO caused lots of noise I'm quite liking the effect. This particular POV was one I discovered but after seeing Mike Hobbert's fantastic shot from the same vantage point I'll always think of it as 'Mike's Gap'.

The Absence Of Colour

 Me watching Dex watching Sean

Kathy,  Sean and I visited the city to take shots in black and white under the capable leadership of Dex ( and here) who is the Iphone guru in our Focus Group, and by preference shoots without colour. I decided as this was a completely new experience for me that I'd set my camera to the B/W setting and therefore be shooting in auto. It was a liberating experience to have a light easy to manage camera, to view life through monotone eyes and to not have to worry about settings.

The first thing I noticed was a shift in the significance of individual subjects within a possible composition. It was replaced by a more global perspective, somewat akin  to the placement of characters in a stage play. Each unit became important only due to its relationship to the whole. After speaking at greater length with Dex I can only say that I competely agree with him that colour can be the greatest distraction. Colours leap out of a setting and compete with each other, frequently being so jarring that some dynamic compositional shots are bypassed. In the absence of colour, lines, light, curves and angles become dominant,  and for cityscapes I think this persepective is particularly illuminating.

 Playing Chess in Hyde Park

 Dex Playing Model

The Beauty Of Bombo

Visited Bombo for a sunrise shoot with some of the Focus crew on election day. It's interesting to see the different perspectives on the same location. Sean walked to the other end of the quarry. This is a quick upload just so I'd have something to show for the visit. Still so many to go through but I've decided from now on I'll just upload one image as a record of the location and worry about finding a favourite later.

Although the sunrise wasn't particularly impressive, Bombo itself always is. I could spend days down there and although I didn't manage to make it to my targeted location, I was pretty satisfied with the shots I captured. Next on the bucket list is a visit during a big swell and high tide. I've visited so many times now I'm pretty familiar with the safe and accessible anchor points.
The light did intensify somewhat as the sun rose and luckily I was able to use the cloud formations as a foil in the absence of filters. The two options at Bombo are rocks or water action as I see it and depending on where you stand, there are countless opportunities for POVs.

Bombo is such a dark, brooding location and is perfectly suited to dark, broody processing in my opinion.  Loved playing around with different options. Some of the shots had less than interesting skies so I thought adding some textures may help to camouflage the problem.